Lexicon mx200 connect via spdif apollo Patch#
Lexicon mx200 connect via spdif apollo series#

I'm in the middle and can just touch everything, hook up everything I want.

I used to have everything on tables separately, and then I had to get things rewired when I wanted to use different machines and only have 16 inputs.

Lexicon mx200 connect via spdif apollo Patch#

And a big difference is I've got everything in a patch bay now. You can sit in that chair, and every knob is within reach-you barely have to stretch to do anything. It's actually the first time I am completely comfortable in my studio since I've been in Berlin. But now I am very happy that everything is how I want it. Then two days, three days, four days, five days, a week-I was getting very frustrated. So they said, 'Yeah, we are going to send you new pieces in a couple of days,' so I left everything. So I had all my studio gear in the other room ready to build the thing, and then the last two pieces didn't fit. No, I got it from a company in Luxembourg, and actually, when they delivered it, there were two pieces that had the holes on the wrong side.

All my patch bays are right in front of me, all my stuff is within hand reach. I used to have three or four tables, but I was tired of running around and not having everything close to each other, so I bought this desk, which I'm really happy with. You recently made a big change in your studio, right? He told us we can expect some long-awaited new material from him in the coming months, and that the results might surprise people who think they've got him pegged. In the last year or so, Geysens found a permanent home base for his synths, drum machines and hardware effects in Berlin, and the stability has had a knock-on effect for San Soda. Working with limited kit in shared or temporary spaces, he's only more recently come into the means-the gear, the space, the musical and technical knowhow, the time-to make the kind of records he's long been smitten with.

A spate of big records, including the smash 'Panorama Bar Acca Version' of his and We Play House boss Red D's 'It's You' remake, meant that he's spent a lot more time on the road than focusing on his studio. To hear Nicolas Geysens tell it, keeping it simple wasn't his ultimate goal, but rather a case of him learning his craft while in the spotlight. Listening to his groovy, warm and devilishly simple tunes, it'd be easy to peg the Belgian producer as a minimalist-albeit one inspired by the '80s and '90s American house canon rather than the mid-'00s minimal techno boom that directly preceded him. The name San Soda is almost inextricably linked to We Play House Recordings, the label that's released the lion's share of his tunes and whose sound he's helped define. Jordan Rothlein paid him a visit in Berlin to see what's been cooking. Very very nice affordable cool box from Lexicon.After a few years spent mostly DJing, the Belgian producer recently got back into his studio swing. I was tempted to buy the MX300 as 2nd unit, but since it was a must to mirror easily anything usefull from one unit to another, I stick to a 2nd MX200.

Here I'm using one as vst and the other one for monitoring, and mainly for bass/guitar purpose. Very fast and easy to get result from the hw and the vst. Still that the strength using the MX200 is that you have a knob/button for every parameters. The MX300 hardware & vst gives more parameters than the MX200 (hall reverb example is having 12 parameters vs 3 from the MX200). If the unit is used spdif only, that should not gives anything though. Otherwise, MX300 is having mono delay and 2-tap delay, XLR/TRS + TRS ins and outs (MX200 TRS balanced/unbalanced only), a higher input impedance & better frequency response (10 to 20 vs 20 to 20), slightly better dynamic range (109db vs 107db) & THD, so it seems a slightly better analog input stage.

Lexicon mx200 connect via spdif apollo series#

Strangely, the MX Series Comparison chart seems not accurate around the reverbs available for both units since the MX200 is also having the Room and the Vocal plate.(?)